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La Salle 303 340 Touring 1930

Allmän beskrivning : General Motors chairman Alfred P. Sloan had been considering a new vehicle range to fill the ever-growing gap between Buick and Cadillac since about 1920, but it wasn’t until 1924 when Cadillac’s president Lawrence Fisher finally put that plan into motion. A key move from Fisher was to hire a talented young designer named Harley Earl to style this new car, called LaSalle. The son of a California coachbuilder, Earl was assigned the task of designing a stylish new motorcar that would convey the elegance and status of Cadillac, but with a more sporting, agile appeal, and at a more affordable price point. Earl would later reveal his original design for LaSalle was influenced by Hispano Suiza, particularly in the graceful fenders and distinct, high peaked radiator grille. LaSalle’s bold two-tone color schemes however, were all Harley Earl.

Mechanically, LaSalle utilized its own V8 engine that was similar to Cadillac’s unit albeit smaller and with a few fundamental differences. By 1930, however, LaSalle’s V8 was in essence the same size and output as the Cadillac’s, imparting the lighter LaSalle with a sporty, agile feel. It seemed that GM came along with the idea for a junior Cadillac brand at just the right time. Given the economic crash of the late 1920s, the more affordable car sold exceptionally well in its first three years, often outselling its senior sibling handily. By the end of the 1930s, LaSalle had become a serious threat to Cadillac and was stealing sales from the flagship marque, and so it was given the axe in 1940, with the Cadillac Series 60 taking over the helm as the value leader. Perhaps more importantly, it was the first major success for Harley Earl; a man who would go on to become a legend within GM and earn his place as one of the most influential automobile designers in history.

This 1930 LaSalle Series 40 wears a rare and attractive 7-passenger Fleetlands touring car body by Fleetwood. Just 239 examples of this Fleetwood style (catalog number 4057) were built, compared to more than 3,100 Town Sedans, making it quite rare today. With a well-preserved older restoration, this LaSalle is a great looking example that is well-suited for touring and regular enjoyment. In keeping with Harley Earl’s original design brief, this car is finished in a bold two-tone color scheme of silver over burgundy fenders and feature lines with subtle red striping. Paint quality is very good, showing a few minor touchups upon close inspection, but remaining very attractive overall. The body presents well with straight, properly aligned panels and clean reflections. It rides on a set of color-keyed disc wheels, with dual side mount spares giving the car a sporting and purposeful look. The brightwork shows in fine condition, and the body is well accessorized with a pair of steerable Pilot Ray driving lamps, a heron mascot (available on both Cadillac and LaSalle ranges), dual side mount spares with mirrors and a large painted metal trunk. Harley Earl’s styling of the fenders and grille combine with Fleetwood’s expertly judged body to produce a very handsome and sporty touring car.

Interior trim is very nicely presented in red antiqued leather to complement the exterior livery. Generously sized wind wings are mounted to the front screen, while rear passengers have their own windscreen with fold out wind wings and a clever sliding central panel that opens to allow them to converse with the driver. A pair of folding jump seats allows for two additional passengers, and of course the black canvas top can be folded for the full open-air motoring effect. The instrument panel is in good condition, with original dials supplemented with later-addition temperature and amp gauges to keep a watchful eye on underhood vitals.

The LaSalle V8 is nicely detailed and presented in mainly correct finishes, very suitable for a high-quality driver. The chassis and undercarriage are exceptionally clean and tidy, showing the car has enjoyed light and careful and use since its restoration. It runs and drives well, with the typical smooth power delivery and respectable performance for which LaSalle was so well known. This handsome and rare automobile is a fine example from this short-lived, but no less historically important marque; one that launched the career of Harley Earl, helped save Cadillac during the Great Depression, and inspired the likes of Packard and Lincoln to create their own entry level lines. With its handsome and rare Fleetwood coachwork and eye-catching presentation, this LaSalle Series 40 would make a fine choice for local shows and casual touring with family and friends.

https://hymanltd.com/vehicles/6048-1930-lasalle-series-340-touring/

1930 La Salle 303 340 Touring is listed såld on ClassicDigest in St. Louis by Mark Hyman for $78500.

 

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Karosstyp : Personbil Märke : La Salle Modell : 303 Modellversion : 340 Touring Motorvolym : 0.0 Årsmodell : 1930 Karosstyp : Station wagon Läge : Missouri

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om La Salle
LaSalle, den stiliga systern i General Motors-familjen, född för att komplettera Cadillacs elegans. Låt oss fördjupa oss i berättelsen om LaSalle-bilar och utforska några av deras mest betydelsefulla modeller tillsammans med deras anmärkningsvärda specifikationer.

Akt 1: Skapelsen (1927)
År 1927, mitt under de glada tjugoåren, framträdde LaSalle som svar på den växande efterfrågan på lyxbilar. Harley Earl, en designmästare och visionär bakom Cadillacs avdelning för konst och färg, ledde skapandet av LaSalle. Märket hade som mål att fylla gapet mellan den massproducerade Buick och den prestigefyllda Cadillac.

Akt 2: Debuten (1929)
LaSalle gjorde sin storslagna entré 1929 med en imponerande lineup. Serien 328, det första modellen, inkarnerade essensen av lyx och sofistikering. Dess slanka, strömlinjeformade design och uppmärksamhet på detaljer gjorde det till något särskilt i bilvärlden.

Akt 3: Strömlinjeformning och Innovation (1930-tal)
1930-talet bevittnade LaSalles engagemang för att ligga i framkant av designtrender. Strömlinjeformning blev en fokuspunkt, med modeller som Series 350 från 1934 som hade integrerade strålkastare och en smidigare profil. LaSalle omfamnade även innovationer som synkroniserade växellådor för att förbättra körkomforten.

Akt 4: Påverkan av Art Deco (1940-tal)
När bilvärlden övergick till 1940-talet började LaSalles design reflektera Art Deco-influensen från eran. Märket behöll sitt åtagande för lyxiga funktioner och introducerade modeller som Series 52 från 1940 med distinkt styling och förfinade interiörer.

Akt 5: Efterkrigsevolution (1946-1954)
Efter ett uppehåll under andra världskriget återvände LaSalle 1946 med uppfriskade design. Efterkrigstiden såg märket anpassa sig till föränderliga smaker. Serie 61 från 1948, till exempel, hade en modernare look och omfamnade förändringarna i den estetiska bilvärlden.

Akt 6: Det sista farvälet (1954)
När 1950-talet rullade på ställdes LaSalle inför ökande utmaningar. År 1954 tog General Motors beslutet att pensionera LaSalle-varumärket. Den sista modellen, LaSalle II Roadster från 1954, markerade slutet på en era.

Epilog: Arv och Påverkan
LaSalle, även om kortlivad, lämnade ett outplånligt avtryck på bilindustrins design. Dess engagemang för stil, innovation och brobyggandet mellan massproduktion och lyx banade väg för framtida företag inom General Motors portfölj.

Och där har du det, den fängslande berättelsen om LaSalle-bilar, ett varumärke som förde en touch av elegans till vägarna och lade till ytterligare en dimension till den rika väven av bilhistoria